Adjacency
[ the quality or state of being adjacent, lying near, bordering ]
Drawing on maps, photographs, and witness statements from the archive of The Bloody Sunday Inquiry, these paintings, photopolymer etchings, and mixed media works examine painting as forensic practice: a means through which textual and visual material used as evidence in public inquiries informs our affective understanding of past and current events.
'Adjacency' installation shot at solo exhibition opening No Format Gallery London 2018
'Barricade' 2017. Acrylic on corrugated roofing 200cm x 600cm. Installation shot Deptford Arches, London 2018
'Adjacency' 2018. Acrylic on canvas. 280cm x 280 cm
'Child', 'Deliver', and 'Quadrant 1' installation shot No Format Gallery, London 2018
'Batallion', 'Child', 'Deliver' installation shot No Format Gallery, London 2018
'Rossville' 2025. Photopolymer etching on Somerset. Edition of 10. 30cm x 39.5cim
'News' 2017 Acrylic and bitumen on canvas. 120cm x 150cm.
'Deliver' 2017. Acrylic and bitumen on canvas. 120cm x 150cm
'Child' 2017. Acrylic and bitumen on canvas. 120cm x 150cm.
'Namesake' 2017. Lead, galvanised nails, blackboard paint, graphite and wax on mdf. 183cm x 60cm (studio installation shot)
'Namesake' 2017 (detail)
'Namesake' 2017 (detail)
'Quadrant 3/2' 2016. Acrylic and graphite on canvas. 60cm x 60cm
'Quadrant 4' 2016. Acrylic on canvas. 60cm x 60cm
'Quadrant 9' 2016. Acrylic, graphite and aluminium dust on canvas. 60cm x 60cm